Jazz at Lincoln Center Orchestra with Wynton Marsalis Barbican International Associate Ensemble residency Tuesday 27 February – Thursday 1 March 2018

World-renowned Jazz at Lincoln Center Orchestra (JLCO), led by managing and artistic director Wynton Marsalis, are the Barbican’s International Associate Ensemble and they return to the Centre for a residency from 27 February – 1 March 2018. The residency provides an opportunity to experience fifteen of America’s finest soloists, ensemble players, and arrangers in jazz music today in concerts, workshops and masterclasses. JLCO often honour the iconic artists, albums, movements and events that left distinctive marks on the jazz scene, and the residency in 2018 celebrates two game changers of modern music: “King of Swing” American clarinettist and bandleader Benny Goodman, and master educator, composer and musical thinker Leonard Bernstein.

The residency opens on Tuesday 27 February 2018, with a concert recreating Benny Goodman’s legendary debut at New York’s prestigious Carnegie Hall on 16 January 1938 – the first interracial concert in the hall, and a watershed moment in American music history.

Goodman was a classically trained Jewish clarinet prodigy from Chicago who became a jazz and swing musician and bandleader, known as the “King of Swing”. In the mid-1930s, against a backdrop of racial segregation, Goodman led one of the first well-known racially integrated jazz groups and his big band plus guest soloists were invited to play a jazz concert in New York's Carnegie Hall. This landmark performance in the American temple of classical music on 16 January 1938 was in many ways a “debut” of jazz itself, as Goodman led one of the first well-known racially integrated jazz groups on a stage of unparalleled prestige, introducing the public to real jazz elements and extensive improvisation, to an ecstatic response. AllMusic has described his concert as “the single most important jazz or popular music concert in history: jazz's "coming out" party to the world of "respectable" music”.

Revisiting the spirit of the event, the JLCO, with UK guests (tbc), will perform pieces straight from the set list of that historic evening at Carnegie Hall in 1938, including material by those made famous by Goodman himself: Count Basie, Duke Ellington, George Gershwin, Fats Waller, Louis Prima, and more. The programme will feature new and classic arrangements, blistering solos, and a new take on the mid-concert jam session that went down in history.

In the second event of the residency, on Wednesday 28 February 2018, Jazz at Lincoln Center Orchestra pay tribute to another musical all-rounder, Leonard Bernstein. Composer and arranger Richard DeRosa, nominated for a Grammy for Best Instrumental Composition in 2016, will work with JLCO lead trombonist Vincent Gardner to craft unique arrangements of Bernstein’s music for the Orchestra, including classics like West Side Story and Candide, as well as unexpected gems from Bernstein’s vast repertoire. Inspired by the composer’s informative approach to music, JLCO will also provide insightful background about Bernstein himself and the musical selections presented.

A testament to JLCO and Marsalis’ ever-expanding mission of teaching young people democracy and freedom of expression through jazz and improvisation, Thursday 1 March 2018 sees young musicians from the Guildhall Jazz Orchestra, NYOS Jazz Orchestra and the Jazz at Lincoln Center Youth Jazz Orchestra with JLCO saxophonist Ted Nash and New York trumpeter Tatum Greenblatt come together at Milton Court Concert Hall. The event, entitled Miles Ahead, will be a showcase of what could be the future of Jazz. The programme will celebrate collaboration and feature Miles Davis and Gil Evans’ seminal work Miles Ahead in a programme of music that continues to inspire young musicians. This will be the first visit to the UK from the Jazz at Lincoln Center Youth Orchestra.

The 2018 Jazz at Lincoln Center Orchestra with Wynton Marsalis Barbican residency will also feature workshops and masterclasses – details tba.

 

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