NEXT Music, Study Programme in Contemporary Music Performance
Birmingham Contemporary Music Group (BCMG) and Royal Birmingham Conservatoire announce the first 11 musicians to join the NEXT Music programme, a brand new, innovative programme of study to support early career musicians who want to dedicate their professional life to contemporary music.
Created by Birmingham Contemporary Music Group (BCMG) and Royal Birmingham Conservatoire, NEXT is the only programme in the UK providing intensive, year-long training in contemporary music performance practice, offering musicians an unprecedented opportunity to learn from some of the most exciting performers and composers working today.
NEXT Musicians will receive coaching and one-to-one teaching sessions from BCMG players and world-famous soloists, and will have many opportunities to perform, including in side-by-side concerts with BCMG. Classes in contemporary music history and analysis, instrumental techniques and digital technologies complement musicians’ studies, while regular lectures from artistic directors, publishers and other invited guests from the music industry help with the necessary skills to present and promote new music to different audiences.
NEXT Musicians will work directly with the world’s leading composers on the interpretation of their music and will build and develop their own ensembles and present and design performances using cutting edge performance techniques.
The NEXT Musicians for 2018-19 are:
Renate Sokolovska Flute
Mana Shibata Oboe and Cor Anglais
Stanley Kaye-Smith Bassoon
Iris van den Bos Percussion
Laura Farre Rozada Piano
Boglárka György Violin
Ed Pether Violin
Nathanael Gubler Viola
James Heathcote Cello
Tom Pickles Cello
Michael Coleby Conductor
Stephan Meier, Artistic Director of Birmingham Contemporary Music Group comments: “Looking at the role contemporary music plays in our cultural life, and more specifically in the music industry, you tend to find young musicians either orientated towards what is perceived as ‘classical’ music, for example in orchestras or opera, or engaged in self-organised attempts to set up some contemporary activities. NEXT seeks to support the latter approach, providing a semi-sheltered greenhouse, as it were, to transfer skills, techniques, knowledge and performance experience, and to allow musicians to fully concentrate on what is needed to professionally work in the sector, and space and time to brood on all kinds of contemporary music developments. There are, of course, opportunities to do this in an informal way but I think that NEXT will be the first year-long course in the UK to address contemporary music performance, practice and promotion in a structured, sustainable way. BCMG is celebrated as one of the world’s finest contemporary music ensembles, and its musicians are second-to-none in expertise, knowledge and sheer passion for the music of today. The combination of their experience, and the commitment and fantastic facilities at Royal Birmingham Conservatoire gives NEXT the potential to have a substantial and lasting input into our musical culture - a real game changer.”
Professor Julian Lloyd Webber, Principal of Royal Birmingham Conservatoire comments: “NEXT builds on Royal Birmingham Conservatoire’s long-standing relationship with BCMG and is designed to significantly impact the next generation of contemporary music and musicians. We pride ourselves in being a forward-looking institution. NEXT will be at the cutting edge of new music creation and performance, offering students a unique opportunity to develop their careers in novel and exciting directions.”