Concert Reviews

The installation of Simon Rattle as LSO supremo continued apace with this Britten Sinfonia concert put together – or, as we must say these days, curated – by Helen Grime,...
Neville Cardus called Mahler’s Fifth Symphony “one of the seven wonders of the symphonic world.” Listening to its passage from tragedy to joy can be a thrilling experience and was...
The Hackney Empire shares an architect with the Coliseum but is a relatively intimate venue, here further reduced in size by the removal of the stalls seats to allow for...
Ian Page realised that Classical Opera is no longer a suitable name for his concert chamber orchestra, therefore The Mozartists is the name under which its new identity was launched...
Part of the extraordinary celebrations for the arrival of Sir Simon Rattle at the helm of the LSO, this programme put together by Thomas Adès was typically varied. Certainly, given...
The comparison between Bruckner’s Third Symphony as presented in Nowak’s score of the ‘third version’, 1889, and that published by Rättig in 1890 reveals only minor but nevertheless interesting differences...
Sir Simon Rattle pulled off a remarkably vigorous account of The Damnation of Faust, all the performers producing an electrifying response to both Berlioz and the conductor – any thoughts...
Jonathan Dove’s Jane Austen opera Mansfield Park was first performed in 2011 in a touring production with piano-duet accompaniment from Heritage Opera (which also opened the 2011 Grimeborn season), and...
Two nights ago Simon Rattle in his first concert as music director of the LSO included pieces by Helen Grime, Thomas Adès, Harrison Birtwistle and Oliver Knussen. In turn they...
Schubert’s Winterreise has come in for its share of performance enhancement – Ian Bostridge filmed in an asylum, Peter Pears filmed looking like a glum Sherlock Holmes, Simon Keenlyside in...
“A new symphony, completely in the Finnish spirit” (Sibelius), Kullervo has found a currency of acceptance largely denied to it during the composer's lifetime. Following the Helsinki premiere at the...
“This is Rattle” – a rather inelegant title, and also needlessly rammed home on screens either side of the platform that for me was a pain in the eye. Simon...
Expressiveness is the basis of the Doric Quartet’s approach to Haydn. Every phrase is carefully shaped and presented in a most meaningful way. As a result, slow movements often have...
Not seen in London since its original performance in 1786, Salieri’s The School of Jealousy returns under the infectious zeal of Bampton Classical Opera. It continues the company’s concentration on...
Here in its sixth revival since 2003 is David McVicar’s rather dark-hued conception of Die Zauberflöte and which still provides an evening of both intelligence and geniality. Cleverly, the pantomime...
Sophie Bevan and Sebastian Wybrew kicked off the latest season of BBC Radio 3 Lunchtime Recitals at Wigmore Hall, a programme of mostly twentieth-century song which offered much more variety...
Once you have got used to his trademark stylisations and visual jokes, Richard Jones has also always revealed a cleverly tailored affection for whichever opera he is directing, but it...
The Russian State Ballet and Opera certainly works hard for a living. Its schedule for this autumn is all-round Britain, and this indefatigable touring company has been doing much the...
It fell to Robin Tritschler to step in at twenty-four hours’ notice for an indisposed Gerard Finley to open Wigmore Hall’s 2017-18 season. It took a few songs before the...
In its thirtieth year, British Youth Opera offered, as usual, the opportunity to come across some talented young singers. Here there was the bonus of a rare chance to experience...
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