Concert Reviews

There are three numbered works forming the main body of Benjamin Britten’s contribution to the string quartet medium, and they were played here in chronological order by the Takács Quartet...
When Once Upon a Mattress opened at the off-Broadway Phoenix Theatre in 1959 it established two things – that Mary Rodgers, daughter of composer Richard Rodgers, was a talented tunesmith...
Benjamin Britten’s febrile and fertile relationship with poetry was honoured in this marathon and luxuriously casted recital. The composer’s uncanny ability to illuminate words resulted in some of his most...
Packed with hummable tunes and an infectious effervescence, Franz Lehár's The Merry Widow is the product of a grim financial period in Austrian history, its initial popularity due to its...
Stephen Sondheim’s musical version of the Kaufman & Hart play first appeared in New York in 1981. It was not a hit and it has been chasing success ever since....
Despite his commitment to the genre Benjamin Britten wrote few individual songs, preferring collections instead. Each of the concerts in the early stages of Wigmore Hall’s Britten 100 celebrations, of...
Concerts by John Pickard and the University of Bristol Symphony Orchestra tend to feature more than the occasional unexpected piece to liven up the increasingly moribund concert repertoire, and here...
The New York Gilbert & Sullivan Players has amassed an impressive following in New York for its special genre. Albert Bergeret is the company’s founder, artistic director and general manager,...
Monteverdi’s shabby little shocker in high places is a sitting duck for radical rethinking, and to update it to the dark days of communist Russia does as well as any...
Time was when a Mahler symphony was a novelty and the longer ones tended to wholly occupy a concert. In many ways Mahler’s ‘Resurrection’ Symphony is so complete – from...
Once upon a time concerts were all about sound, their aspiration to theatre extending no further than the residual pleasure of watching musicians ply their trade. The visual rot set...
Jonathan Miller's 1930s seaside-hotel setting of Gilbert & Sullivan's The Mikado makes a familiar return to English National Opera. Just over 127 years since its record-breaking premiere of 672 performances,...
The Wigmore Hall’s celebration of Benjamin Britten’s centenary (which falls in November next year) continued with the five Canticles, the religion-biased works that range in scale, all of them closely...
The delightful show is thirty-seven years old. It was successful off-Broadway in 1975 but never came to London. In 1986, when Stefan Bednarczyk found a recording of the show, he...
Alan Gilbert, prior to the New York Philharmonic’s performance of Steven Stucky’s Symphony, asked the composer about the relevance of using this title today. Stucky responded that it is the...
This programme was reminiscent of those played fifty years or more ago. Today we seem obsessed with concepts so the variety of musical styles at this invigorating concert came as...
Edward Nesbit’s Parallels and William Walton’s First Symphony both underwent extensive gestation periods. Walton’s work was initially performed as its first three movements by the LSO in December 1934 before...
Beethoven, Schoenberg, Nono – a stimulating coming-together; and – for Schoenberg and his disciples (including son-in-law Luigi Nono) – why shouldn’t all twelve notes of a scale be used and...
Karen Oberlin’s homage to Doris Day delivers a tribute which in some ways is unexpected. A fervid admirer of the singer and actress, Oberlin’s way with a song is just...
David Hill prefaced this performance of War Requiem with an eloquent and moving tribute to the late Sir Philip Ledger, then proceeded to conduct a heartfelt account of Britten’s choral...
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