Concert Reviews

It is rather amazing to think that the second Opus 49 Piano Sonata almost didn’t make it into the canon of 32, thus denying many a beginner pianist one of...
We have a penchant for rediscovering composers who have often languished in well-deserved obscurity. However just occasionally one will be unearthed who deserves such attention. Enter Italian composer Gaetano Brunetti...
Film scores played on accordion? That’s what we got for the entire first set of this tribute to Nino Rota, the Italian composer best known for his iconic scores for...
There were a couple of moments of less-than-pristine string ensemble in the opening movement of the Haydn's, but otherwise Bernard Haitink and the New York Philharmonic gave a lively though...
For the second time of asking this week, Paul Lewis graced Wigmore Hall with this Schubert programme of pieces that are ostensibly on a smaller-scale than the movements that occupy...
I arrived at Carnegie Hall for the first of two Beethoven evenings by Sir John Eliot Gardiner and his Orchestre Révolutionnaire et Romantique thinking I knew pretty much what to...
This attractive Britten Sinfonia recital had surprises around each corner. Here the inspiration behind the instrumentation of Charlie Piper’s work was Beethoven’s Septet, and there was also a posthumous publication...
It is always good to welcome Steve Ross back to London. His brand of sophisticated singing and playing of great songs is too rare a commodity. His current show, devoted...
A déjà-vu programme – already been there at the Proms – for it was only on 8 September that Janine Jansen last played Tchaikovsky’s Violin Concerto in London, and just...
An intriguing examination of the ‘art of fugue’ was at the core of this BBC Radio 3 Lunchtime Concert from the Emerson String Quartet, now in its 35th-season with personnel...
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Mendelssohn composed his F major Violin Sonata in 1838, the year he conceived the evergreen E minor Violin Concerto. Although he was unhappy with the Sonata, leading him to abandon...
Concerned with image as much as artistry, the Eroica Trio's biography extolled the group’s "technical virtuosity, irresistible enthusiasm, and sensual elegance". Regarding the latter, the glittery, clingy gowns missed on...
The rarity of saxophone and piano jazz duos is a mystery, considering the possibilities they offer for empathetic dialogue. Some of the finest (Art Pepper and George Gables, and Stan...
The three string quartets that Mozart composed in 1789 – his last such music – were commissioned by the King of Prussia, Friedrich Wilhelm II, an enthusiastic cellist. These ‘Prussian’...
The venerable Vienna Philharmonic has some serious hometown competition: world-class serious. Fabio Luisi is no stranger to New York thanks to his appointment as Principal Conductor of the Metropolitan Opera....
To celebrate fifty years of Impulse! Records, James Pearson (house pianist at Ronnie Scott’s) assembled a septet to play Oliver Nelson’s Blues and the Abstract Truth in its entirety. Quite...
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Deborah Warner’s new production (with Metropolitan Opera, New York) for English National Opera of Eugene Onegin is every bit as traditional and faithful to its early-nineteenth-century period as the one...
The opening night of a jazz festival and the performance in the biggest venue is … Indian classical music? Cheeky programming, perhaps, even considering Zakir Hussain’s past collaborations with jazz...
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How wonderful once more to see a packed Usher Hall. Whether it was the combination of two of Mendelssohn’s most-popular works with one of Dvořák’s finest if less frequently played...
In March 1775 the nineteen-year-old Mozart was commissioned to write a celebratory work to mark the passage of Archduke Maximilian through Salzburg, and to do so in short order. Within...