Concert Reviews

7.20.25 Bryn Terfel with the BSO TFC and BUTI Chorus Hilary Scott scaled
In this superb concert presentation, the cast moved about in front of the orchestra, successfully telling the story with wonderful singing (from memory) and acting. The three principals at the...
Owain Rowlands and Jessica Hopkins with Richard McCabe Leo Credit Genevieve Girling.jpg scaled
If there was ever any basis for the rivalry between Mozart and Salieri, it was on the occasion of an amicable competition set up by Joseph II in 1786 (not...
Yewon Han Ophelie and Gregory Feldmann Hamlet Credit Genevieve Girling scaled
‘No one but a barbarian or a Frenchman would have dared to make such a lamentable burlesque of so tragic a theme’ was one English critic’s verdict on Ambroise Thomas’s...
7.16.25 Seong Jin Cho performs Ravels solo piano music Hilary Scott 1 scaled
This recital was a major event in Tanglewood’s celebration of the 150th-anniversary of Maurice Ravel’s birth, Seong-Jin Cho playing Ravel’s works for solo piano in the chronological order of their...
7.15.25 Bradley Moore Bryn Terfel and Hannah Stone Hilary Scott 2 scaled
Sir Bryn Terfel’s focus in the first half of this delightful recital was on the national identity and culture of his native Wales. With Bradley Moore at the piano, Terfel...
Ross Cumming 3rd trio member Harun Tekin 2nd trio member Chloe Hare Jones 1st trio member Charles Rice Sam and Hanna Hipp Dinah Credit Genevieve Girling scaled
Although these two works were written only seven years apart, Bernstein and Poulenc are probably not composers often thought of together. And yet the juxtaposition of these short pieces for...
7.12.25 Andris Nelsons conducts Ravels Piano Concerto in G with Seong Jin Cho Hlilary Scott 3 scaled
This BSO concert in the Shed featured four upbeat works, two by Debussy bookending Ravel’s two piano concertos, offered as part of the ‘Maurice Ravel at 150’ celebration. To begin,...
7.11.25 James Udom Romeo and Kelley Curran Juliet dance at masked ball Hilary Scott scaled
On Wednesday afternoon, as a prelude to this evening’s concert, Tina Packer, the founding artistic director of Lenox-based Shakespeare & Company, moderated a discussion with the creative team of this...
7.12.25 Andris Nelsons conducts Prelude to The Afternoon of a Faun Hilary Scott scaled
This early evening concert was the first of many on this summer’s Tanglewood schedule to include music of Maurice Ravel in commemoration of the one-hundred-fiftieth anniversary of his birth. Mezzo-soprano...
7.9.25 Full audience at Stephanie Blythes masterclass coaching Carmen Edano Hilary Scott scaled
In an afternoon masterclass in Studio E, mezzo-soprano Stephanie Blythe worked with four Tanglewood Music Center Vocal Fellows, part of the interplay between Fellows and faculty that is a central...
7.7.25 Yiran Zhao conducts the TMCO Hilary Scott scaled
In this concert in the Koussevitzky Shed, the Tanglewood Music Center Orchestra, comprised of Instrumental Fellows, performed works by Bedrich Smetana and, Johannes Brahms. Conducting Fellows Leonard Weiss and Yiran...
7.9.25 Stephanie Blythe with TMC vocal fellows and pianists Hilary Scott scaled
Sunday evening’s concert in Studio E spotlighted six Vocal Fellows, the first four of whom were ably accompanied on piano by an Instrumental Fellow. Closing the program, three Fellows –...
7.6.25 Andris Nelsons conducts Beethoven Piano Concerto No. 3 with Yefim Bronfman Hilary Scott 1 scaled
6th July Today was a doubleheader for me. The BSO’s all-Beethoven matinee concert in the Koussevitzky Music Shed was followed in the evening by a concert of vocal music in...
Nia Coleman PM cr Jorge Lizalde 151 scaled
Debussy's Pelléas et Mélisande is famously and beautifully a sparse opera, adapting the Symbolist play by Maurice Maeterlinck whose drama is structured not so much as a continuous narrative as...
Les Indes Galantes at The Grange Festival credit Richard Hubert Smith @richard h smith scaled
Despite containing what is probably Rameau's best known single piece of music (the keyboard piece Les Sauvages, arranged as the vocal ensemble ‘Forêts paisibles’) this is claimed to be the...
Semele scaled
For Handel’s Semele (1744) Oliver Mears and designer Annemarie Woods draw inspiration from the films of Luis Buñuel for their surreal horror. Cross that with The Marriage of Figaro and...
Quadrophenia production image 7 scaled 1
To say that expectations were running high for this new dance version of the extraordinary 1979 film Quadrophenia would be to understate the atmosphere in the audience before the beginning...
SimonBoccanegraGPO 02337 Enhanced NR scaled
With an assured economy of means, David Pountney's production of Simon Boccanegra (in its standard 1881 revision) grippingly evokes the time and place of the mediaeval republic of Genoa in which...
MazeppaPROD 01181 Enhanced NR scaled
Ivan Mazeppa (or Mazepa) was hetman (regional governor) of Ukraine towards the end of the 17th century, initially enjoying the support of Peter the Great, before throwing in his lot...
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John Savournin’s production of Lehár’s The Merry Widow (1905) – a score particularly known and loved for its evocation of bittersweet nostalgia and sentiment – moves the action to the...