Mozart
Piano Concerto No.21 in C, K467
Schubert
Symphony No.8 in B minor (Unfinished)
Beethoven
Symphony No.5 in C minor, Op.67
Angela Hewitt (piano)
Philharmonia Orchestra
Christoph von Dohnányi
Reviewed by: Andrew Maisel
Reviewed: 5 December, 2010
Venue: Southbank Centre, London – Royal Festival Hall
A slightly farcical start. The running order changed at the top to allow time to find a replacement for a broken instrument required for the Schubert. Then with the piano hastily moved into position and Angela Hewitt duly summoned, Christoph von Dohnányi found his score for the Mozart was missing. More delay.
Maybe the change in the running order had something to do with it but Schubert’s ‘Unfinished’ Symphony was about as leaden and pedestrian as one could imagine. Clocking in at almost 16 minutes, the first movement was taken very slowly, but the complete absence of tension made it feel endless. The second movement followed a similar path, the Philharmonia players seemingly struggling with their solos because of the slow tempo, the music almost coming to a halt halfway through. Dohnányi downplayed the contrast between passages of warm lyricism and outbursts of despair which accentuated the dirge-like effect.
Beethoven’s Fifth was played pretty straight. Apart from the opening four-note motif taken in strict tempo, this was a rather old-fashioned weighty interpretation, but at least some sense of urgency was restored after the lacklustre Schubert. The first movement proceeded at a steady tempo, the transparency of sound helped by antiphonal violins. The Andante was nicely phrased, the scherzo a little rushed, but the transition into the finale was superbly managed, the movement itself blazing with conviction.
- Philharmonia Orchestra
- Philharmonia Orchestra information:
Freephone 0800 652 6717 - Southbank Centre