Glinka
Ruslan and Ludmilla – Overture
Glazunov
Violin Concerto in A minor, Op.82
Dvořák
Symphony No.9 in E minor, Op.95 (From the New World)
Nicola Benedetti (violin)
Philharmonia Orchestra
Leif Segerstam
Reviewed by: Kenneth Carter
Reviewed: 15 October, 2009
Venue: Southbank Centre, London – Royal Festival Hall
Leif Segerstam’s considerable body is a match for his largeness of spirit. When conducting, his hands turn into vibrant, fluttering birds at the end of up-stretched arms. There is no Kapellmeister beat. The results count – the Philharmonia Orchestra plays splendidly for him, with panache.
Where Segerstam excels is in projecting works of splendour and size – works of blazing vitality and colour. Pieces that all-too-often receive limp, lacklustre performances take on vigour and dynamism once more. Glinka’s Overture to “Ruslan and Ludmilla” – well-known, well-worn – blazed with vitality. Its exuberant momentum swirled. The music sang in jubilation.
With the ‘New World’ Symphony, Segerstam set the Atlantic on fire. He presented a card of greeting from Europe to the USA – a resplendent declaration of the finest and most exuberant that the European tradition could offer to the American people. It asserted – and celebrated – the nationalism that was the composer’s life-blood. It then recognised – with blazing dignity – the presence of the American-Indian and the recently-freed African slaves in the potential of America’s future. Yet this was no crudely-coloured propaganda poster. Segerstam and the Philharmonia Orchestra confidently pronounced that Dvořák’s Ninth Symphony contains some of the finest music in the European tradition.
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