Strictly Gershwin
An evening of dance set to the music and lyrics of George & Ira Gershwin and DuBose Heyward
English National Ballet
Solo Artists: Agnes Oaks, Thomas Edur, Douglas Mills, Paul Robinson, Lilia Kopylova, Darren Bennett, Elena Glurdjidze, Friedemann Vogel, Tamara Rojo, Guillaume Côté, Kerry Birkett & Daria Klimentová
Barbara Cook – singer
Jonathan Scott – piano
Maida Vale Singers
Orchestra of the English National Ballet
Gareth Valentine
Derek Deane – Choreography & Direction
Douglas Mills, Paul Robinson, Lilia Kopylova & Darren Bennett – Additional Choreography
Gareth Valentine – Music Adaptation & Supervision
Don Sebesky – Orchestrations
Lee Musiker – Arrangements for Barbara Cook
Roberta Guidi di Bagno – Costume Design
Michael Korsch – Lighting
Reviewed by: Michael Darvell
Reviewed: 13 June, 2008
Venue: Royal Albert Hall, London
An evening of music by Gershwin danced by English National Ballet with special guest artists? Yes, bring it on, but why has nobody thought of doing it before? Since “Strictly Ballroom” hit our cinema screens sixteen years ago there has been a gradual revival of interest in popular dance-forms, culminating in the current mania for dance-shows on television, be they on the ice or off it. Riding-in on the crest of this wave of nostalgia comes “Strictly Gershwin”, Derek Deane’s brilliant tribute to the music and lyrics of one of the greatest song-writing partnerships of the twentieth-century (or any century come to that). There has been at least one ballet to the music of George Gershwin, in 1970 when George Balanchine created “Who Cares?” a world-wide favourite and in the repertoire of English National Ballet since 1996. It is enjoyed by everyone; after all, what is there not to like?
When George and Ira Gershwin were writing their popular musical comedies in the 1920s and ’30s for Broadway and Hollywood, their songs were intended to be danced-to. Dance was an essential part of any musical show of that era and, with artists such as Fred and Adele Astaire and Ginger Rogers, nobody performed them better. The figures of Fred and Ginger loom large in Derek Deane’s Gershwin show. Most of their films were then in black and white, so the production has a chic monochrome appearance which is enhanced by the sumptuous costume designs of Roberta Guidi di Bagno which evoke a long-gone era of films with daffy plots but with the most memorable scores of the day. To complete the nostalgic evocation and because the Arena presentation in the Royal Albert Hall leaves no room for scenery, there are big-screen blow-ups of famous faces of the day such as Joan Crawford, Marlene Dietrich, Mae West, Humphrey Bogart and Clark Gable.
Some pieces are danced just to the orchestra while others are accompanied by vocals from the Maida Vale Singers or Barbara Cook. She is in her element here; the Gershwins have long been part of her repertoire. At age 80 she shows no sign of vocal ageing. Her young, fresh, clear voice is just perfect for the four numbers she contributes. In ‘I’ve got a crush on you’ she opens her heart to real emotions, and in ‘But not for me’ she assumes an almost tragic air of wistfulness, singing of the regret she feels for being left out of love. In ‘Someone to watch over me’ she reveals vulnerability and means every word, while ‘A foggy day’ brings eventual happiness as she celebrates the lifting of an emotional cloud. Each song is perfectly modulated and becomes truly meaningful through the passion that Barbara Cook lends to her every performance.
The actual finale is a performance of Rhapsody in Blue (piano solo by the excellent Jonathan Scott) for which Deane has choreographed a classical piece reminiscent of the heyday of George Balanchine. It brings the house down. There’s a definite magic about the music and lyrics of George and Ira Gershwin that no other songwriters have replicated. George died in 1937 aged 38 – they had a prodigious output even so. Who knows what might have been had George lived as long as his brother did (Ira died in 1983). At least we can celebrate their musical legacy – which is exactly what “Strictly Gershwin” does.
- Strictly Gershwin continues at the Royal Albert Hall on 14 & 17-21 June at 7.30 p.m., and 14, 15, 21 & 22 June at 2.30 p.m.
- Tickets £19.50 to £52.50
- Box Office 020 7838 3100
- Strictly Gershwin