Articles

My chat with Marc-André Hamelin begins literally minutes after the pianist has arrived at his London hotel, just the day before his late-night Proms recital of Liszt. He comes to...
Mansel Stimpson talks to the tenor who participates in two of the three operas which together open the new season at Covent Garden... When it comes to yoking together operas,...
Tully Potter reports on the final week of the Marlboro Music School and Festival, held in Vermont from 26 June to 14 August... As I walked down the hill to...
The Classical Source is embracing, tentatively, the world of Twitter. We view Twitter as an excellent way to promote the pages of The Classical Source, and we very much hope...
Stravinsky L’histoire du soldat Narrator – Jean Cocteau Soldier – Jean-Marie Fertey Devil – Peter Ustinov Princess – Anne Tonietti Ulysse Delécluse (clarinet), Henri Helaerte (bassoon), Manoug Parikian (violin), Joachim...
Adams Guide to Strange Places Bruckner Symphony No.5 in B flat Adams Violin Concerto Bruckner Symphony No.7 in E [edited Leopold Nowak] Bruckner Symphony No.8 in C minor [1887 score,...
Although Luca Pisaroni appears more widely on the stages of opera-houses in Europe and America than in the United Kingdom, in recent years he has become a familiar face at...
In 2004 Benjamin Grosvenor came to our attention as winner of the keyboard section in the BBC Young Musician of the Year. Seven years on, he is still only 18...
Mansel Stimpson talks to the British baritone... This January I attended Rossini’s Il barbiere di Siviglia at The Royal Opera and was impressed by the singer who had been entrusted...
Here is a treasure-trove for admirers of Charles Munch (1891-1968) and the Boston Symphony, “The Aristocrat of Orchestras”. Five DVDs (details below) of performances from the golden age of the...
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