Sacrae symphoniae – Canon septimi toni a 8
Alceste – Loure pour le pêcheurs
Chamber Symphony – III: Roadrunner
Bach, arr. Chris Willis
Fugue in G, BWV541
Brahms, arr. Iain Farrington
Hungarian Dance No.5 in G minor
The Tale of Tsar Sultan – Flight of the Bumblebee
Romeo and Juliet – Montagues and Capulets (Dance of the Knights)
Symphony No.10 – II: Allegro
Candide – Overture
Louise Fryer and Basil Brush (presenters)
Nia Davies and Alan Riley (masked dancers)
BBoy’s Attic featuring MDK
Cordão de Ouro London
National Children’s Chamber Orchestra
National Youth Chamber Orchestra
Toby Wilsher – Director
Reviewed by: Richard Landau
Reviewed: 30 August, 2010
Venue: Royal Albert Hall, London
Nicholas Collon arrived after the brass had confidently delivered the wonderful Gabrieli canon, and it was immediately evident that he knew just how to communicate with his young charges. Soon he had them stamping out different rhythms according to their positions in the hall, modifying the volume of their contributions according to his instructions, and, later on, guiding them towards producing a simple fugue to the words “We are in the Royal Albert Hall”. And then we had the authentic fugue by Bach, in a bright and colourful arrangement by Chris Willis – winds, brass, and percussion prominent, xylophones especially so. The overall effect was Loussier-like, and most attractive it was. The young audience clearly relished Brahms’s Fifth Hungarian Dance, as (dis)arranged, as well as the antics of Basil Brush as he mimed its infectious rhythms.
In the Lully piece there was some charming dancing from Cordão de Ouro London, and BBoy’s Attic gave a distinctly modern, inner-city flavour to Prokofiev’s Montague-Capulet confrontation. Here Collon and his Aurora Orchestra, augmented by the National Children’s Chamber Orchestra and National Youth Chamber Orchestra, gave a performance that caught both the tenderness and the pungency of the music.
The masked dancers, Nia Davies and Alan Riley, touchingly conveyed the whimsically sad mood of Satie’s First Gymnopédie, and then the scherzo from Shostakovich’s Tenth Symphony proved once again how arresting such music is, even to the ears of the very young. Chris Willis’s Mashup was a deft compendium of all the pieces in the concert, including ‘The Flight of the Bumble Bee’, with some highly surprising moments such as Brahms segueing into Prokofiev. The kids clearly found the whole thing huge fun. And finally Collon gave the Overture to Leonard Bernstein’s “Candide” a suitably zestful reading, with his orchestra offering very committed playing.
The audience then swarmed out of the hall and into the sunshine, a great many of their faces beaming with pleasure. Doubtless some seeds of future music appreciation were sown here, and all credit to the BBC for its contribution to that.