Kurtág
Stele
Mahler
Symphony No.9
BBC Scottish Symphony Orchestra
Ilan Volkov
Reviewed by: Nick Breckenfield
Reviewed: 1 August, 2007
Venue: Royal Albert Hall, London
There was a distinct air of remembrance at the Royal Albert Hall for this Prom. Kurtág’s three-part Stele – composed in memoriam for unnamed persons (although the third, an epic elongation of a piano piece he had then just composed to the memory of his teacher András Mihály) – was paired with Mahler’s monumental Ninth Symphony.
This latter is often (if erroneously) taken as Mahler’s farewell to life – especially as he did not live to hear its first performance. If proof was need that this is less than half a truth, you need only look to next Tuesday’s performance of his Tenth Symphony (admittedly made performable by Deryck Cooke) to put paid succinctly to that theory. While there is no doubting its musical melancholy, you can argue that it is as much to do with a farewell to tonality (this was at a time when Schoenberg was to make the final leap) as a farewell either to Mahler’s dead daughter or the break-up of his marriage.
One thing is certain: Ivan Volkov’s performance was of such stature to concentrate the audiences’ minds on the music not theoretical inspirations, although there was a smattering of applause between movements. From the very opening, the sparse, almost disparate soundings of notes where tied into an overall purpose that was clear-sighted in its trajectory. This was not a performance to dwell on farewells; rather, quite rightly, it offered some resolution in the finale’s ever-slowing utterances, that were serene not morbid.
They would have been infinitely more so had not an unfortunate sneeze punctured the final paragraphs, worsened not only by a knocked-over glass in the debenture boxes in the silence before the violas’ final phrase but also, as Volkov held the silence, a completely jarring mobile ring broke the mood.
On top form, the BBC Scottish Symphony continues to develop a fantastic sound under Ilan Volkov, who has built on Osmo Vänskä’s hard work and fashioned a flexible, responsive band that can hold its head high in any orchestral company.