Gaechinger Cantorey

One problem with works as central to the canon as Handel’s Messiah is that they become so taken for granted, and also almost assumed to have emerged fully formed like Athena from the head of Zeus, that it becomes easy to overlook the fact that the process of their production was a much more gradual, …

Handel’s Messiah [1742 Dublin version] –Gaechinger Cantorey/Hans-Christoph Rademann [Accentus] Read More »